Learn from designers with industry expertise.
I just love people, really. Design of course, but people first. Getting alongside them, encouraging them to be the best that they can be.
Graphic Design Teacher
Sydney
Julie Stinson
What do you love about design?
This quote from Paula Scher sums it up for me, “It’s through mistakes that you actually can grow. You have to get bad in order to get good.”
I feel that this is my career! Mistakes that have helped me grow. Skills that I developed from re-assessing how I could improve. I love seeing a design concept go through refinement to become the simplest solution to a problem. That is so satisfying. I love that ‘aha’ moment in the end admiring that solution.
Why do you teach?
I just love people, really. Design of course, but people first. Getting alongside them, encouraging them to be the best that they can be. And I love seeing them grow, trying new things and nailing them!
Tell us about your design career outside of Shillington.
My beginnings were in museum work. There was that time I worked for a printing house in Western Sydney—which did help fuel my love for all things print—apart from this I can pretty much say that I was hooked starting from my three-month (unpaid) internship fresh from design school. I had a desire to be a part of the storytelling from our rich cultural history here in Sydney—whether it was from the Great Depression through Susannah Place Museum, or celebrating the 50s style and fashion through the Fifties Fair, or commemorating the 100 years of Vaucluse House being open for the public to enjoy—every brief is diverse and has unique challenges. I now love working with the talented scientists and creative teams at the Australian Museum where I’ve learned fact from fiction about Tyrannosaurs, met with Gadigal Elders to help tell significant cultural stories in an Aboriginal voice through the GADI exhibition, and learned that minerals are not rocks! The most wonderful thing is working as part of a collaborative and supportive design studio—much like at Shillington—all sharing in the creative process.
What or who are you loving right now?
My family (hopefully, everyday)! Colourful, patterned illustration design by Tom Abbiss Smith, Alphabet Studio’s work, training at my local gym, especially in Les Mills RPM!
If you were a typeface, what would you be?
Brandon Grotesque, practical and warm.
What’s your favourite blog?
Can’t go past It’s nice that for all-round inspo.
I just love people, really. Design of course, but people first. Getting alongside them, encouraging them to be the best that they can be.
Graphic Design Teacher
Sydney
Julie Stinson
What do you love about design?
This quote from Paula Scher sums it up for me, “It’s through mistakes that you actually can grow. You have to get bad in order to get good.”
I feel that this is my career! Mistakes that have helped me grow. Skills that I developed from re-assessing how I could improve. I love seeing a design concept go through refinement to become the simplest solution to a problem. That is so satisfying. I love that ‘aha’ moment in the end admiring that solution.
Why do you teach?
I just love people, really. Design of course, but people first. Getting alongside them, encouraging them to be the best that they can be. And I love seeing them grow, trying new things and nailing them!
Tell us about your design career outside of Shillington.
My beginnings were in museum work. There was that time I worked for a printing house in Western Sydney—which did help fuel my love for all things print—apart from this I can pretty much say that I was hooked starting from my three-month (unpaid) internship fresh from design school. I had a desire to be a part of the storytelling from our rich cultural history here in Sydney—whether it was from the Great Depression through Susannah Place Museum, or celebrating the 50s style and fashion through the Fifties Fair, or commemorating the 100 years of Vaucluse House being open for the public to enjoy—every brief is diverse and has unique challenges. I now love working with the talented scientists and creative teams at the Australian Museum where I’ve learned fact from fiction about Tyrannosaurs, met with Gadigal Elders to help tell significant cultural stories in an Aboriginal voice through the GADI exhibition, and learned that minerals are not rocks! The most wonderful thing is working as part of a collaborative and supportive design studio—much like at Shillington—all sharing in the creative process.
What or who are you loving right now?
My family (hopefully, everyday)! Colourful, patterned illustration design by Tom Abbiss Smith, Alphabet Studio’s work, training at my local gym, especially in Les Mills RPM!
If you were a typeface, what would you be?
Brandon Grotesque, practical and warm.
What’s your favourite blog?
Can’t go past It’s nice that for all-round inspo.
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Anthony Wood
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Clare Terry
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Shanti Sparrow
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Andy Judd
United Kingdom
Kieryn Humphries
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John Palowski
Manchester
Chris Norman
Melbourne
Emily Comfort
New York
Sydney Ligouri
New York
George Simkin
London
Fiona Martin
Online
Mehul Patel
Manchester
Spencer Harrison
Melbourne
Frankie Young
Brisbane
Lizzie Curtis
London
Wayne Smith
Melbourne
Adam Busby
Brisbane
Alice Lo
Sydney
Jimmy Muldoon
New York
Nick Smith
Manchester
Dave Bird
Manchester
Hilary Archer
London
Ed Cornish
London
Alana Cowan
New York
Julie Stinson
Sydney
Mitch Reyes
Brisbane
Jack Trotman
London
Nick Bailey
Brisbane
Shrenik Ganatra
New York
Olivia Chen
Sydney
Marcea Decker
New York
Kim Melvin
Melbourne
Emma Tobin
London
Sam Jacobs
New York
Kieron Lewis
London
Katie Mihailovits
London
Rachel Broaders
Online
Missy Dempsey
Sydney
Mark Ellis
London
Claire Hamilton
Online
Lovish Saini
Manchester
Cathy Sison
New York
Michael Zhang
New York
Deepa Shanbhag
New York
Maddy Ritchie
Sydney
Tim King
Sydney
Natalia Zuluaga
London
Róisín Lowe
Melbourne
Thiago Eichner
New York
Sara Mazzoni
Global
Dina Shirin
Global
Oli Stevenson
Global
Amy Gardner
Global
Clay Allison
United Kingdom
Alex Daley
United States
Ella Shillington
Australia