Hear straight from our graduates.
Creativity is not something that can be taught. It’s either there or it’s not. But I do believe it can be nurtured, and the technical skill that’s needed for the real world can be honed. Shillington is the perfect environment for that.
Creative Director, Hello May
Sophie Lord
Where do you work?
I run Hello May, a bridal magazine for the creatively-inclined, Etsy-loving, non-bridal bride. I founded the magazine in 2012. Hello May is jam-packed full of fashion, DIY and real weddings, and focuses heavily on the talented humans that make up the creative side of the wedding industry. Graphic artists that branched off into designing wedding invitations, fine art and fashion photographers that dabble in shooting weddings on the weekends, production designers that have turned to styling and event planning … that kind of thing.
What do you love about magazine design?
I love that you’re just given a bunch of Word documents and photos and it is down to you to put all that content together in a way that will draw a reader in and take them on a journey cover to cover. Technical skill is really important. I can spot something that is 1mm out from a mile away! Margins, column widths and clear navigation are all extremely important, and consistency is key. There’s nothing worse than reading a magazine and not knowing if a feature has ended and another has begun. That leads to a very frustrated reader who won’t be picking up your magazine again. Reading a magazine is meant to be relaxing!
Most of all, I love that, at the end of the deadline, and after a whole heap of blood, sweat and tears, you have a tangible product that you can hold in your hands. When we get the preview copy back from the printers there’s always that moment of “Shit, I made this magazine!” It’s a pretty cool feeling!
Any advice to graduating students?
Get all the experience you can. If you know someone in the industry then heckle them like crazy about coming in to the office and working for free. You want to be there when a job becomes available because you’ll be the first person they think of! That’s how I got my start and that’s how the majority of my magazine friends started out too. If you don’t know anyone, persistence is key. I know there’s a lot of negativity around internships and unpaid work. Look at it this way: you’re getting paid in valuable experience. Just be careful that you’re not used and abused.
Another great tip for those looking to get into the big bad world of publishing is to intern at smaller publications with smaller staff numbers. Trust me. It’s the difference between spending six months getting coffee, opening mail and cleaning out the fashion cupboard or spending those six months actually designing pages and learning about the production and the pre-press process and how to mark up a proof and lay out a feature.
But the most valuable piece of advice I can give is just be a nice human being. Nobody wants to share an office with an a**hole.
Creativity is not something that can be taught. It’s either there or it’s not. But I do believe it can be nurtured, and the technical skill that’s needed for the real world can be honed. Shillington is the perfect environment for that.
Creative Director, Hello May
Sophie Lord
Where do you work?
I run Hello May, a bridal magazine for the creatively-inclined, Etsy-loving, non-bridal bride. I founded the magazine in 2012. Hello May is jam-packed full of fashion, DIY and real weddings, and focuses heavily on the talented humans that make up the creative side of the wedding industry. Graphic artists that branched off into designing wedding invitations, fine art and fashion photographers that dabble in shooting weddings on the weekends, production designers that have turned to styling and event planning … that kind of thing.
What do you love about magazine design?
I love that you’re just given a bunch of Word documents and photos and it is down to you to put all that content together in a way that will draw a reader in and take them on a journey cover to cover. Technical skill is really important. I can spot something that is 1mm out from a mile away! Margins, column widths and clear navigation are all extremely important, and consistency is key. There’s nothing worse than reading a magazine and not knowing if a feature has ended and another has begun. That leads to a very frustrated reader who won’t be picking up your magazine again. Reading a magazine is meant to be relaxing!
Most of all, I love that, at the end of the deadline, and after a whole heap of blood, sweat and tears, you have a tangible product that you can hold in your hands. When we get the preview copy back from the printers there’s always that moment of “Shit, I made this magazine!” It’s a pretty cool feeling!
Any advice to graduating students?
Get all the experience you can. If you know someone in the industry then heckle them like crazy about coming in to the office and working for free. You want to be there when a job becomes available because you’ll be the first person they think of! That’s how I got my start and that’s how the majority of my magazine friends started out too. If you don’t know anyone, persistence is key. I know there’s a lot of negativity around internships and unpaid work. Look at it this way: you’re getting paid in valuable experience. Just be careful that you’re not used and abused.
Another great tip for those looking to get into the big bad world of publishing is to intern at smaller publications with smaller staff numbers. Trust me. It’s the difference between spending six months getting coffee, opening mail and cleaning out the fashion cupboard or spending those six months actually designing pages and learning about the production and the pre-press process and how to mark up a proof and lay out a feature.
But the most valuable piece of advice I can give is just be a nice human being. Nobody wants to share an office with an a**hole.
Claire Grocott
Founder, Studio Kokomo
Winnie Vuong
Junior Designer, HOYTS
Melissa McAuliffe
Exhibition Designer, National Gallery of Victoria
Lauren Horner
Graphic Designer, Hundred Weight Design
Cait Dorombozo
Graphic Designer, DSR Branding
Peter Howell
Freelance Creative
Paul Hallam
Book Designer, Scholastic
Rhys Brennan
Graphic Designer, Romano Beck
Helen Tong
Midweight Designer, Siegel+Gale
Amee Wilson
Art Director, Google
Dana Gendler
Creative Intern, Landor & Fitch
Suparom Ronyut
Designer, Landor & Fitch
Becky Dore
Designer, OnThree
Mason El Hage
Art Director, monopo
Ana Perez
Founder of Anecdota Studio
Claudia Costa
Freelance Graphic Designer
Shireen Roy
Freelance Multidisciplinary Designer
Marc Igbinadolor
Social Media Manager & Content Creator, Diane von Furstenburg
Daniele Regan
Founder of Danibydsgn
Michelle Crocker
Creative Digital Designer, Artlogic
Anuja Shukla
Creative Specialist, Twitter
Jeremy Somers
Founder and Creative Director, We Are Handsome
Jess Mosoph
Junior Creative, Dinosaur
Carolyn Kao
Senior Product Designer, Robinhood
Carl McBride
Designer, Toyfight
Melody Yee
Senior Designer, Lee Matthews
Darsh Seneviratne
Designer, Canva
Matt McKay
Junior Designer, Marks
Ximena Jimenez
Graphic Designer, The Multicultural Centre for Women's Health
Kinda Savarino
Senior Designer, Billion Dollar Boy
Chantel Charchalis
Marketing & Design Manager, CostumeBox
Tom Noon
Design Director, The Midnight Club
Lauren Danger Koste
Studio Manager, The Design Kids
Karina Aslikyan
Freelance Graphic Designer for Music
Karen Liang
Marketing & Design Lead, Dimeo
Ayesha Mansour
Freelance Designer, Aah Yes Studio
Anna Dai
Freelance Graphic Designer
Georgia Latham
Designer & Strategist, Imagist
Natasha Michels
Designer at Nine Publishing and Creative Director at Sweaty City magazine
Mary Lin
Freelance Graphic Designer
Carla Zimbler
VJ and Designer, Tszuj
Wyatt Welles
Freelance Art Director & Designer
Laura Welch
Senior Brand Designer, Upwork
Sophie Bo Schmidt
Freelance UX, Visual & Web Designer
Sivim Ly
Graphic Designer, antidote
Ben Thaler
Senior Brand Designer, Common
Rosylvia Wang
Design and Brand Officer at Historic Houses UK
Liam Speranza
Art Director, THE CHARLES
Em Storey
Freelance Designer
Natalie Taylor
Designer, Mobkoi
Oyinkan Karunwi
Founder & Brand Strategist, Aseda Design Agency
Sylvan Hillebrand
Senior Designer, HarrimanSteel
Maria Vazquez
Freelance Designer and Art Director
Alessandra Conti
Midweight Designer, IRIS
Elizabeth Diffey
Freelance Graphic Designer, Kate McLeod
Majo Crespo
Co-Founder and Strategic Designer, Facético
Lorenzo Mengolini
Senior Product Designer, Revolut
Abbey Swinn
Designer, Special Group
Seyi Ogunlade
Freelance Graphic Designer and Photographer
Rory Knibbs
Designer, The Midnight Club
Jess Goodall
Graphic Designer & Illustator, Belazu
Stephanie Halovanic
Writer, Pinterest
Megan Voo
Product Designer, Linktree
Gerald Torto
Practice Director, Tech, Re
Eman Abdallah
Graphic & Experience Designer, KAIRO
Ariana Villegas
Visual Designer, Ableton
Ray Wong
Designer, Oink Creative
Johanna Hagenauer
Senior Product Designer, REA Group
Emily Campos
Senior UX Designer, Checkout.com
Rawin Keo
Senior Designer, DermapenWorld
Mark Osmond
Lead Designer, Whalar
Vanessa Bertagnole
Freelance Multimedia Designer
Araki Koman
Freelance Illustrator and Designer
Arwa Al-Salam
Campaigns & Project Manager, Human Appeal
Em Stokes
Freelance Designer, Studio Simple
Veronica Humphris
Digital Designer, Mapway
Leila Bartholet
Senior Web Designer, Human NYC
Jared Worthington
Creative Executive, Tribe Agency
Alexandra Francis
Freelance Graphic Designer & Illustrator
Benjamin Ngooi
Visual Designer, Great Wrap
Sophie Lord
Creative Director, Hello May
Khadijah Adbul Nabi
Creative Director & Brand Strategist, Ya Khadijah
Frankie Young
Design Lead, Driven
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Duzi Studio
Jaira Adlawan
Designer & Art Director, Jaira Mia
Jamie Krups
Design & Communications Manager, BALNCE
Keiran McCann
Design Director, EasyKnock
Greg Bemis
Graphic Designer, Nike
Anastasiia Vinnichenko
Designer, Phantom
Loribeth Kaye
Senior Design Manager, Grab
Megan Dweck
Senior Design Lead, McKinsey & Company
James Freebairn
Graphic Designer, 3 Deep
Irina Manning
Freelance UX Designer/Researcher
Shannon Gordon
Senior Digital Designer, Purpose
Sinead Murphy
Freelance Graphic Designer
Ani Monteleone
Senior Art Director, TPN
Caitlin Clancy
Freelance Art Director
Miwako Bishop
Regional Creative Director, The Great Room
Linda Gao
Art Director, WarnerMedia
Will Batrouney
UX/UI Designer, Liquorice
Katie Lodge
Creator, The Creative Lodge
Joseph Lebus
Design Director, Porto Rocha
Jordan Demetriou
Designer, Principals
Hamish Snow
Senior Product Designer, Linktree
Emily Somers
Founder, Bravery Co.
Eleanor Robertson
Middleweight Designer, Here Design
Estefi Panizza
Head of Digital, Death to Stock
Erin Gale
Senior Graphic Designer, Origin Energy
Kylie Meller
Founder, duosista Web and Graphic Design
Yarron Frauenfelder
Lead Designer, Swear Words
Bianca Chu
Senior Designer, Helix Sleep
Bianca Oggiano
Freelance Visual Designer
Christopher J Porter
Creative & Content Lead, Kingdom & Sparrow
Babeth Olde Hanter
Desiger, Doop
Chrystal Christie
Director & Creator, Red Back Rugs
Dominika Stanczyk
Midweight UX/UI Designer, Toyota
Lindsay Koffler
Freelance Designer
Lily Moore
Senior Graphic Designer, Cloudberry Creative
Braden Floris
Product Designer, Lyft
Ashley Ronning
Illustrator and Founder, Helio Press
Tahmena Lutfi
Senior Graphic Designer, Qantas
Anara Davletaliyeva
Product Designer, PLAYGROUND XYZ
Tiffany Yee
Freelance Senior Designer & Illustrator
Amy Sheehan
Design Director, Dotdash
Emma Ladlow
Freelance Designer
Alexis Waller
Creative Director, For The People
Halah El Kholy
In-House Designer, Brew Tea Co
Jess White
Freelance Designer
Bobby Hendry
Designer, Brilliant Logic
Lauren Dannenberg
Designer, Penguin Random House
Arnold Omanyo
Freelance Digital Designer
Dawn Moloney
Founder, A Making Life
Caroline Keefe
Freelance Senior Art Director & Designer
Paul and Amoni Liddell
Senior Visual Designer, Westpac CX and Digital Designer, Feel
Meredith Wallis
Founder & Design Director, House of Wallis
Ocki Magill
Owner & Creative Director, Blue Shop Cottage
Anika George
Product Designer, Y Media Labs
Kelly Hansen
Content Manager, Outreach
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Jing Ong
Designer, Autumn
Kirsten McColl
Freelance Designer
Jackson Todd
Art Director, Van Der Zwaag
Andy Vargas
Designer, Bitâcora
Moshe Bien
Founder, Cramdyn
Crystal Lin
Associate Director of Product Design, Bank of New Zealand
Stephen Grace
Senior Designer, Christopher Doyle & Co.
Andy Tharagonnet
Graphic Designer, DesignScene
Ben Peters
Freelance Graphic Designer
Brad Holten
Senior User Experience Designer, Mastercard
Molly Sitter
Digital Designer, Madewell
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Co-Founder & Creative Director, Renegade Folk
Peta Harris
Graphic Designer, Macquarie University
Oceane Combeau
Art Director, Stacks
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Senior Designer, Canva
Roo Cassels
Creative Director, Big Fish
James Birks
Freelance Illustrator and Designer
David Scott
UXR Lead, hedgehog lab
Jane Durlacher
Freelance Graphic Designer
Rachel Lee
Freelance Graphic Designer
Janno Saft
Founder & Graphic Designer, Frank Wo
Sean Raynor
Graphic Designer, CMA Design
Vanessa Burgess
Communications Designer, ARTC
Olivier Adam
Freelance Graphic Designer
Margherita Baldi
Senior Designer, BORN Group
Tim Jones
Strategy Director, venturethree
Meg Walker
Freelance Digital Designer
Louise Hamer
Digital Director, Nice&Co
Ina Estrada
Founder & Creative Director, Par Vous Designs
Ulrika Johnson
Founder & Designer, Belle Bellette
Lola Irwanto
Design Manager, Princess Polly