Hear straight from our graduates.
Shillington was exactly what I was after. That immersive, intensive nature is just so important for setting you up for what work is really like. It teaches you how to push for a deadline, work under pressure, be efficient, to discard things, simplify, or make compromises to meet those deadlines.
Founder, Pony Gold Studio
Rachel Urquhart
What were you up to before Shillington?
My background is in journalism, so I was working as a magazine editor and general communications person, which wasn’t too bad a career. The only problem was that I was writing about the heating, ventilation and air conditioning systems in buildings, which wasn’t the most exciting world to be in.
Why did you take the plunge and decide to study design?
Over the past few years while I was working on magazines, I was also moonlighting as an illustrator. It was almost like living a double life—some of the people I worked with didn’t even know that I had this whole other life where I was selling work to people all over the world, travelling with Volcom (as a brand ambassador), waking up at 4.30am to start working on projects before sitting down at my desk for the day.
Eventually my illustration work started to gain its own momentum and take up more and more of my time, and it got to a bit of a breaking point where I needed to work in an industry that was more flexible and compatible. It was a scary decision at the time, but of course, the world didn’t end because I decided to change direction!
Why Shillington?
Initially—and this is maybe a bit shallow, but we’re talking about design, so I think it’s fair—I just liked the school’s branding! But more seriously, with half my life in a related industry like illustration, and a few years of self-taught Adobe in my pocket, I knew I wanted to do short course, not go back to university.
Also, I met with a friend-of-a-friend, who runs a design studio in Richmond, and (with no prompting from me) he mentioned that the most consistently impressive portfolios he came across were from Shillington.
How did you find the course?
It was exactly what I was after. That immersive, intensive nature is just so important for setting you up for what work is really like. It teaches you how to push for a deadline, work under pressure, be efficient, to discard things, simplify, or make compromises to meet those deadlines.
It’s a huge amount of information to take in and process, but that immersion (yes, so preoccupied with design that I was sleep-talking about advertising layouts…) is really efficient. I didn’t realise until afterwards, when my boss commented on how I work in InDesign, but that intense, everyday exposure to the Adobe suite almost teaches your hands another language. And you do have to use it all day, everyday to pick up that muscle memory so quickly.
Visit Rachel’s website and read her full interview on the blog.
Miwako Suzuki
Integrated Creative Director
Rachel Urquhart
Founder, Pony Gold Studio
Lori Beth Kaye
Senior Product Designer, The Iconic
Ray Wong
Designer, Oink Creative
Shillington was exactly what I was after. That immersive, intensive nature is just so important for setting you up for what work is really like. It teaches you how to push for a deadline, work under pressure, be efficient, to discard things, simplify, or make compromises to meet those deadlines.
Founder, Pony Gold Studio
Rachel Urquhart
What were you up to before Shillington?
My background is in journalism, so I was working as a magazine editor and general communications person, which wasn’t too bad a career. The only problem was that I was writing about the heating, ventilation and air conditioning systems in buildings, which wasn’t the most exciting world to be in.
Why did you take the plunge and decide to study design?
Over the past few years while I was working on magazines, I was also moonlighting as an illustrator. It was almost like living a double life—some of the people I worked with didn’t even know that I had this whole other life where I was selling work to people all over the world, travelling with Volcom (as a brand ambassador), waking up at 4.30am to start working on projects before sitting down at my desk for the day.
Eventually my illustration work started to gain its own momentum and take up more and more of my time, and it got to a bit of a breaking point where I needed to work in an industry that was more flexible and compatible. It was a scary decision at the time, but of course, the world didn’t end because I decided to change direction!
Why Shillington?
Initially—and this is maybe a bit shallow, but we’re talking about design, so I think it’s fair—I just liked the school’s branding! But more seriously, with half my life in a related industry like illustration, and a few years of self-taught Adobe in my pocket, I knew I wanted to do short course, not go back to university.
Also, I met with a friend-of-a-friend, who runs a design studio in Richmond, and (with no prompting from me) he mentioned that the most consistently impressive portfolios he came across were from Shillington.
How did you find the course?
It was exactly what I was after. That immersive, intensive nature is just so important for setting you up for what work is really like. It teaches you how to push for a deadline, work under pressure, be efficient, to discard things, simplify, or make compromises to meet those deadlines.
It’s a huge amount of information to take in and process, but that immersion (yes, so preoccupied with design that I was sleep-talking about advertising layouts…) is really efficient. I didn’t realise until afterwards, when my boss commented on how I work in InDesign, but that intense, everyday exposure to the Adobe suite almost teaches your hands another language. And you do have to use it all day, everyday to pick up that muscle memory so quickly.
Visit Rachel’s website and read her full interview on the blog.
Araki Koman
Freelance Illustrator and Designer
Keiran McCann
Graphic Designer, Victoria’s Secret
Emily Campos
UX Designer, Wix
Jaira Adlawan
Senior Visual Designer, Sephora
Ani Monteleone
Designer, The Wall Street Journal
Hamish Snow
Designer, Josephmark
Eleanor Robertson
Designer, Paul Belford Ltd
Gerald Torto
Strategist, Re Agency
Linda Gao
Designer, HBO
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Will Batrouney
Graphic Designer, Ignite Online
Sinead Murphy
Freelance Graphic Designer
Bianca Oggiano
Designer, Design Haus Liberty
Christopher J Porter
Designer, I See Sea
Dominika Stanczyk
Designer, Open Water
Katie Lodge
Business Development Manager, Frost* collective
Amee Wilson
Art Director, Clemenger BBDO
Jordan Demetriou
Junior Designer, Principals
Ashley Ronning
Illustrator and Founder of Helio Press
Emily Somers
Founder, Bravery Co.
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Erin Gale
Designer, Target
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Braden Floris
Designer, GoFundMe
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Alexander Rog
Junior Designer, oOh!
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Bianca Chu
Senior Designer, eBay
Tally Thompson
Graphic Designer, Awesome Creative
Greg Bemis
Creative, Nike
Arnold Omanyo
UX/UI Designer, Digital on Demand
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Meredith Wallis
Designer, King & Partners
Miranda Mayne
Freelance Graphic Designer
Lindsay Koffler
Graphic Designer, Refinery29
Bobby Hendry
Designer, Brilliant Logic
Anika George
Designer, AKQA
Mark Osmond
Designer, Thumbs Up!
Lily Moore
Designer at Sotheby’s
Liana Modolo
UX Designer, Rex Software
Victoire Scherer
Junior Graphic Designer, Neoscape
Mikel McCavana
Designer, Moment
Kelly Hansen
Graphic Designer, Amazon Books
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Frankie Young
Founder, Studio Neubau
Pooja Dharia
Branding Designer, FCB Health
Jackson Todd
Art Director, Van Der Zwaag
Dawn Moloney
Founder, A Making Life
Caroline Keefe
Freelance, Nickelodeon
Sophie Lord
Creative Director, Hello May
Ocki Magill
Founder, Letter Bug Studios
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Jing Ong
Designer, Autumn
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Erin Donati
Founder, Harley Quinn & Co.
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Oceane Combeau
Designer, Fernand et Firmin
Charly Tudor
Graphic Designer, Holdens
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Nicol Reid
Founder, Little Creative
David Scott
Designer, The Mix
James Birks
Freelance Illustrator and Designer
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Romayne Gadelrab
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Roo Cassels
Designer, Big Fish
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Ulrika Johnson
Designer, Fantasia Accessories
Sam Jacobs
Senior Designer, Time Inc.
Sean Raynor
Designer, Watermark Studio
Irina Manning
UX Designer, Manning Labs
Margherita Baldi
Freelance Visual Designer
Henriette van Baren
Graphic Designer, ABC Carpet & Home