Hear straight from our graduates.
The most valuable thing we took away from the course was being able to communicate in a design capacity. Having a designer vocabulary has made working with clients so much easier.
Directors, Autumn
Paul McKie and Myles Sharpe
Where do you both work?
We’re Myles and Paul, and we’re both directors of The Autumn Co. Our business has been operating for five years. We specialise in print, design, web and sign. We’re Brisbane-based but love working with clients all over Australia. We’ve really tried to take a fresh approach to the conventional design studio, utilising our backgrounds to offer a full service experience for our clients.
No day is the same as the next. That’s partially what we love about our business and our roles in the studio. We work across the full spectrum of the business—from mopping the floors to working alongside multinational companies, travelling interstate and working on the computer with a new branding project. Every client and every project requires something different which keeps each day different and exciting.
Why did you decide to do the course?
We needed to expand our skill set to progress our business, and that meant going back to study. We really wanted to polish our skills and get some form of industry recognition before trying to mix it with the design community. We were already doing a lot of print and signage work for some amazing clients, so the natural extension of this was a greater design offering—that’s why we chose Shillington. Working full-time, the part-time course was really the only option available for us. The weeknight classes fitted perfectly into our schedule—we finished work on a Wednesday and Thursday and headed straight into the city for college. It made for a really nice mid-week event as we’d grab something to eat before class, often with the teachers or fellow students—we found the whole experience very social.
The classes are intense, in a good way—they condense so much information into a few contact hours each week. This way of studying meant you were learning theory and practical skills at the same time, which made the content really digestible.
What was the most valuable thing you took away from the course?
Three things: (1) We made some amazing new friends and contacts. (2) We took away the practical skills that we’d always wanted. Doing the course meant designing the “right way”, knowing what shortcuts to take and those to avoid. (3) Being able to communicate in a design capacity. Having a designer vocabulary has made working with clients so much easier.
Do you have any advice for those thinking about studying graphic design at Shillington?
Just do it. Getting into the industry is made so much easier by the introduction to the design world that Shillington offers. There’s no other course that delivers the full on practical skills that the course provides you with—and in such a compact and timely manner.
The Autumn Co. has evolved into Autumn. Studio.
The most valuable thing we took away from the course was being able to communicate in a design capacity. Having a designer vocabulary has made working with clients so much easier.
Directors, Autumn
Paul McKie and Myles Sharpe
Where do you both work?
We’re Myles and Paul, and we’re both directors of The Autumn Co. Our business has been operating for five years. We specialise in print, design, web and sign. We’re Brisbane-based but love working with clients all over Australia. We’ve really tried to take a fresh approach to the conventional design studio, utilising our backgrounds to offer a full service experience for our clients.
No day is the same as the next. That’s partially what we love about our business and our roles in the studio. We work across the full spectrum of the business—from mopping the floors to working alongside multinational companies, travelling interstate and working on the computer with a new branding project. Every client and every project requires something different which keeps each day different and exciting.
Why did you decide to do the course?
We needed to expand our skill set to progress our business, and that meant going back to study. We really wanted to polish our skills and get some form of industry recognition before trying to mix it with the design community. We were already doing a lot of print and signage work for some amazing clients, so the natural extension of this was a greater design offering—that’s why we chose Shillington. Working full-time, the part-time course was really the only option available for us. The weeknight classes fitted perfectly into our schedule—we finished work on a Wednesday and Thursday and headed straight into the city for college. It made for a really nice mid-week event as we’d grab something to eat before class, often with the teachers or fellow students—we found the whole experience very social.
The classes are intense, in a good way—they condense so much information into a few contact hours each week. This way of studying meant you were learning theory and practical skills at the same time, which made the content really digestible.
What was the most valuable thing you took away from the course?
Three things: (1) We made some amazing new friends and contacts. (2) We took away the practical skills that we’d always wanted. Doing the course meant designing the “right way”, knowing what shortcuts to take and those to avoid. (3) Being able to communicate in a design capacity. Having a designer vocabulary has made working with clients so much easier.
Do you have any advice for those thinking about studying graphic design at Shillington?
Just do it. Getting into the industry is made so much easier by the introduction to the design world that Shillington offers. There’s no other course that delivers the full on practical skills that the course provides you with—and in such a compact and timely manner.
The Autumn Co. has evolved into Autumn. Studio.
Jess Goodall
Digital Designer, Pistachio Design
Stephanie Halovanic
Creative Producer, &Walsh
Megan Voo
UX/UI & Content Designer, Ignite Online
Gerald Torto
Strategist, Re Agency
Romayne Gadelrab
Freelance Graphic Designer
Eman Abdallah
Graphic & Experience Designer, KAIRO
Ariana Villegas
Designer, Simplecast
Ray Wong
Designer, Oink Creative
Johanna Hagenauer
Brand / Product Designer, Rexlabs
Emily Campos
UX Designer, Wix
Rawin Keo
Lead Graphic Designer, Dermalogica
Mark Osmond
Designer, Thumbs Up!
Vanessa Bertagnole
Graphic Multimedia Designer, Surf Life Saving Queensland
Araki Koman
Freelance Illustrator and Designer
Arwa Al-Salam
Designer, Human Appeal
Benny Hinman
Designer, Frost*collective
Em Stokes
Junior Designer, MOO
Veronica Humphris
Digital Designer, Mapway
Leila Bartholet
Designer, Chandelier
Alexandra Francis
Designer, Flow Creative
Benjamin Ngooi
Graphic Designer, Cox Architecture
Sophie Lord
Creative Director, Hello May
Khadijah Adbul Nabi
Freelance Graphic Designer
Frankie Young
Founder, Studio Neubau
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Amy Forsyth
Graphic Designer, Alfresco Emporium
Jaira Adlawan
Senior Visual Designer, Sephora
Jamie Krups
Creative at Stab Magazine
Keiran McCann
Graphic Designer, Victoria’s Secret
Greg Bemis
Creative, Nike
Anastasiia Vinnichenko
Designer, Tile Creative
Lori Beth Kaye
Senior Product Designer, The Iconic
Megan Dweck
Visual Designer, McKinsey & Company
James Freebairn
Junior Graphic Designer, Dark Mofo
Irina Manning
UX Designer, Manning Labs
Shannon Gordon
Designer, R/GA
Sinead Murphy
Freelance Graphic Designer
Lauren Koste
Freelance Designer and Craft Beer Specialist
Ani Monteleone
Designer, The Wall Street Journal
Caitlin Clancy
Designer, The New York Times
Miwako Suzuki
Integrated Creative Director
Linda Gao
Designer, HBO
Rachel Urquhart
Founder, Pony Gold Studio
Will Batrouney
Graphic Designer, Ignite Online
Ellie Pinney
Freelance Designer
Katie Lodge
Business Development Manager, Frost* collective
Joseph Lebus
Designer, Made Thought
Jordan Demetriou
Junior Designer, Principals
Hamish Snow
Product Designer, Rexlabs
Emily Somers
Founder, Bravery Co.
Eleanor Robertson
Designer, Paul Belford Ltd
Estefi Panizza
Junior Designer, Design Bridge
Erin Gale
Designer, Target
Kylie Meller
Founder, duosista Web and Graphic Design
Yarron Frauenfelder
Design Director
Bianca Chu
Senior Designer, eBay
Bianca Oggiano
Designer, FutureBrand
Alexander Rog
Junior Designer, oOh!
Christopher J Porter
Designer, I See Sea
Babeth Olde Hanter
Junior Art Director, SOV
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Tally Thompson
Graphic Designer, Awesome Creative
Dominika Stanczyk
Designer, Open Water
Lindsay Koffler
Graphic Designer, Refinery29
Amee Wilson
Art Director, Clemenger BBDO
Lily Moore
Designer at Sotheby’s
Braden Floris
Designer, GoFundMe
Ashley Ronning
Illustrator and Founder of Helio Press
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Jess White
Junior Graphic Designer, Just Media Design
Bobby Hendry
Designer, Brilliant Logic
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Lauren Dannenberg
Designer, Mary's Group
Arnold Omanyo
UX/UI Designer, Digital on Demand
Dawn Moloney
Founder, A Making Life
Miranda Mayne
Freelance Graphic Designer
Caroline Keefe
Freelance, Nickelodeon
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Meredith Wallis
Designer, King & Partners
Ocki Magill
Founder, Letter Bug Studios
Victoire Scherer
Junior Graphic Designer, Neoscape
Anika George
Designer, AKQA
Liana Modolo
UX Designer, Rex Software
Kelly Hansen
Graphic Designer, Amazon Books
Mikel McCavana
Designer, Moment
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Jing Ong
Designer, Autumn
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Pooja Dharia
Branding Designer, FCB Health
Erin Donati
Founder, Harley Quinn & Co.
Jackson Todd
Art Director, Van Der Zwaag
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Oceane Combeau
Designer, Fernand et Firmin
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Roo Cassels
Designer, Big Fish
Nicol Reid
Founder, Little Creative
James Birks
Freelance Illustrator and Designer
David Scott
Designer, The Mix
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Sean Raynor
Designer, Watermark Studio
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Margherita Baldi
Freelance Visual Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Sam Jacobs
Senior Designer, Time Inc.
Ulrika Johnson
Designer, Fantasia Accessories
Henriette van Baren
Graphic Designer, ABC Carpet & Home
Charly Tudor
Graphic Designer, Holdens
Lola Irwanto
Graphic Designer, Princess Polly