Hear straight from our graduates.
I’ve always loved design, but left it late to actually pursue it. Whilst I’d blagged it as a self-taught designer in a previous role, I was aware of my limitations and struggled to advance without the direction and structure of a course.
Strategist, Re Agency
Gerald Torto
What were you up to before Shillington?
I was a Consultant at Customer Agency C Space and before that a self-taught in-house Designer at B2B publishing company, Centaur Media in London.
Why did you decide to study design?
I’ve always loved design, but left it late to actually pursue it. Whilst I’d blagged it as a self-taught designer in a previous role, I was aware of my limitations and struggled to advance without the direction and structure of a course. I then took a break from design to try my hand at something else, but the itch was still there. Circumstances granted me the opportunity to pause work and address the gaps in my skillset properly. I had 3 months available and had heard great things about Shillington from friends who had completed the course so I jumped right in.
How did you land your job at Re?
1) Homework 2) persistence and 3) cannolis. I’ll explain all three.
First, before moving from London to Sydney, I scanned agencies in the city. I knew who did what, who worked where and what my top 3 places to work (and 3 after that) were. I spoke to people over Skype, email and Instagram at weird times of the day (time difference is a killer) to make sure I had the lay of the land even before I stepped on a plane. Secondly, my first email got missed (to be expected, it was just before Christmas), but my second one got me in for a chat or two… which then leads to #3 – cannolis. Again. I did some homework, figured out that Pat (Re’s CEO) has a thing for cannolis and so got some for our 4pm interview. It picked up energy levels (no one wants a meeting at 4) and showed attention to detail—a good trait for working with big brands with complex business challenges. The rest, as they say, is history.
Why do you love being a creative expat in Sydney?
First things first, the British accent is a hit when presenting work lol. On a serious note, I think there is an energy, vibrancy and a determination to elevate and promote Australian design to the rest of the world. Being a part of that—even from a strategy perspective—is exciting. Also the food here is better, the weather is better and you guys have this great thing with real sand that’s called…I think a beach!
What would you say to people who are sceptical about Shillington’s fast-paced design course?
One of the frustrating things about our industry is that you need experience to get an opportunity, but you need an opportunity to get experience. Shillington is both an opportunity and experience. An opportunity to learn things you’ll actually need in the studio and experience of listening to briefs, having a process, working with other designers, getting your work critiqued, pushing the work further, and working to real deadlines. A fast-paced studio can be an unforgiving place even for seasoned professionals, so where better to get up to speed in a safe(r) environment where the stakes won’t impact margins or a P and L!
Anything else you’d like to share?
If you love design, need help with your creative skillset and want to get pushed, listen to the words of Nike. #justdoit
Follow Gerald on Twitter and read his guest post about networking on the blog.
I’ve always loved design, but left it late to actually pursue it. Whilst I’d blagged it as a self-taught designer in a previous role, I was aware of my limitations and struggled to advance without the direction and structure of a course.
Strategist, Re Agency
Gerald Torto
What were you up to before Shillington?
I was a Consultant at Customer Agency C Space and before that a self-taught in-house Designer at B2B publishing company, Centaur Media in London.
Why did you decide to study design?
I’ve always loved design, but left it late to actually pursue it. Whilst I’d blagged it as a self-taught designer in a previous role, I was aware of my limitations and struggled to advance without the direction and structure of a course. I then took a break from design to try my hand at something else, but the itch was still there. Circumstances granted me the opportunity to pause work and address the gaps in my skillset properly. I had 3 months available and had heard great things about Shillington from friends who had completed the course so I jumped right in.
How did you land your job at Re?
1) Homework 2) persistence and 3) cannolis. I’ll explain all three.
First, before moving from London to Sydney, I scanned agencies in the city. I knew who did what, who worked where and what my top 3 places to work (and 3 after that) were. I spoke to people over Skype, email and Instagram at weird times of the day (time difference is a killer) to make sure I had the lay of the land even before I stepped on a plane. Secondly, my first email got missed (to be expected, it was just before Christmas), but my second one got me in for a chat or two… which then leads to #3 – cannolis. Again. I did some homework, figured out that Pat (Re’s CEO) has a thing for cannolis and so got some for our 4pm interview. It picked up energy levels (no one wants a meeting at 4) and showed attention to detail—a good trait for working with big brands with complex business challenges. The rest, as they say, is history.
Why do you love being a creative expat in Sydney?
First things first, the British accent is a hit when presenting work lol. On a serious note, I think there is an energy, vibrancy and a determination to elevate and promote Australian design to the rest of the world. Being a part of that—even from a strategy perspective—is exciting. Also the food here is better, the weather is better and you guys have this great thing with real sand that’s called…I think a beach!
What would you say to people who are sceptical about Shillington’s fast-paced design course?
One of the frustrating things about our industry is that you need experience to get an opportunity, but you need an opportunity to get experience. Shillington is both an opportunity and experience. An opportunity to learn things you’ll actually need in the studio and experience of listening to briefs, having a process, working with other designers, getting your work critiqued, pushing the work further, and working to real deadlines. A fast-paced studio can be an unforgiving place even for seasoned professionals, so where better to get up to speed in a safe(r) environment where the stakes won’t impact margins or a P and L!
Anything else you’d like to share?
If you love design, need help with your creative skillset and want to get pushed, listen to the words of Nike. #justdoit
Follow Gerald on Twitter and read his guest post about networking on the blog.
Elizabeth Diffey
Freelance Graphic Designer at Spotify
Alessandra Conti
Designer at RAPP
Majo Crespo
Co-Founder and Strategic Designer at Facético
Maria Vazquez
Freelance Designer and Art Director
Lorenzo Mengolini
UX Designer, AKQA
Abbey Swinn
Designer, Frost*collective
Angeline Chan
Communications Specialist, The University of Melbourne
Julia Hoolahan
Art Director, Home Beautiful
Seyi Ogunlade
Freelance Graphic Designer and Photographer
Rory Knibbs
Designer, The Midnight Club
Jess Goodall
Digital Designer, Pistachio Design
Stephanie Halovanic
Creative Producer, &Walsh
Megan Voo
UX/UI & Content Designer, Ignite Online
Gerald Torto
Strategist, Re Agency
Romayne Gadelrab
Freelance Graphic Designer
Eman Abdallah
Graphic & Experience Designer, KAIRO
Ariana Villegas
Designer, Simplecast
Ray Wong
Designer, Oink Creative
Johanna Hagenauer
Brand / Product Designer, Rexlabs
Kris Klein
Experience Design + Videography at AKQA
Emily Campos
UX Designer, Wix
Rawin Keo
Lead Graphic Designer, Dermalogica
Mark Osmond
Designer, Thumbs Up!
Vanessa Bertagnole
Graphic Multimedia Designer, Surf Life Saving Queensland
Araki Koman
Freelance Illustrator and Designer
Arwa Al-Salam
Designer, Human Appeal
Benny Hinman
Designer, Frost*collective
Em Stokes
Junior Designer, MOO
Veronica Humphris
Digital Designer, Mapway
Leila Bartholet
Designer, Chandelier
Jared Worthington
Designer at Media Playground
Alexandra Francis
Designer, Flow Creative
Benjamin Ngooi
Graphic Designer, Cox Architecture
Sophie Lord
Creative Director, Hello May
Khadijah Adbul Nabi
Freelance Graphic Designer
Frankie Young
Founder, Studio Neubau
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Amy Forsyth
Graphic Designer, Alfresco Emporium
Jaira Adlawan
Senior Visual Designer, Sephora
Jamie Krups
Creative at Stab Magazine
Keiran McCann
Graphic Designer, Victoria’s Secret
Greg Bemis
Creative, Nike
Anastasiia Vinnichenko
Designer, ToyFight
Lori Beth Kaye
Senior Product Designer, The Iconic
Megan Dweck
Visual Designer, McKinsey & Company
James Freebairn
Junior Graphic Designer, Dark Mofo
Irina Manning
UX Designer, Manning Labs
Shannon Gordon
Designer, R/GA
Sinead Murphy
Freelance Graphic Designer
Lauren Koste
Freelance Designer and Craft Beer Specialist
Ani Monteleone
Designer, The Wall Street Journal
Caitlin Clancy
Designer, The New York Times
Miwako Suzuki
Integrated Creative Director
Linda Gao
Designer, HBO
Rachel Urquhart
Founder, Pony Gold Studio
Will Batrouney
Graphic Designer, Ignite Online
Ellie Pinney
Freelance Designer
Katie Lodge
Business Development Manager, Frost* collective
Joseph Lebus
Designer, Made Thought
Jordan Demetriou
Junior Designer, Principals
Hamish Snow
Product Designer, Rexlabs
Emily Somers
Founder, Bravery Co.
Eleanor Robertson
Designer, Paul Belford Ltd
Estefi Panizza
Junior Designer, Design Bridge
Erin Gale
Designer, Target
Kylie Meller
Founder, duosista Web and Graphic Design
Yarron Frauenfelder
Design Director
Bianca Chu
Senior Designer, eBay
Bianca Oggiano
Designer, FutureBrand
Alexander Rog
Junior Designer, oOh!
Christopher J Porter
Designer, I See Sea
Babeth Olde Hanter
Junior Art Director, SOV
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Tally Thompson
Graphic Designer, Awesome Creative
Dominika Stanczyk
Designer, Open Water
Lindsay Koffler
Graphic Designer, Refinery29
Amee Wilson
Art Director, Clemenger BBDO
Lily Moore
Designer at Sotheby’s
Braden Floris
Designer, GoFundMe
Ashley Ronning
Illustrator and Founder of Helio Press
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Jess White
Junior Graphic Designer, Just Media Design
Bobby Hendry
Designer, Brilliant Logic
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Lauren Dannenberg
Designer, Mary's Group
Arnold Omanyo
UX/UI Designer, Digital on Demand
Dawn Moloney
Founder, A Making Life
Miranda Mayne
Freelance Graphic Designer
Caroline Keefe
Freelance, Nickelodeon
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Meredith Wallis
Designer, King & Partners
Ocki Magill
Founder, Letter Bug Studios
Victoire Scherer
Junior Graphic Designer, Neoscape
Anika George
Designer, AKQA
Liana Modolo
UX Designer, Rex Software
Kelly Hansen
Graphic Designer, Amazon Books
Mikel McCavana
Designer, Moment
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Jing Ong
Designer, Autumn
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Pooja Dharia
Branding Designer, FCB Health
Erin Donati
Founder, Harley Quinn & Co.
Jackson Todd
Art Director, Van Der Zwaag
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Peta Harris
Graphic Designer, Macquarie University
Oceane Combeau
Designer, Fernand et Firmin
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Roo Cassels
Designer, Big Fish
Nicol Reid
Founder, Little Creative
James Birks
Freelance Illustrator and Designer
David Scott
Designer, The Mix
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Sean Raynor
Designer, Watermark Studio
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Margherita Baldi
Freelance Visual Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Sam Jacobs
Senior Designer, Time Inc.
Ulrika Johnson
Designer, Fantasia Accessories
Henriette van Baren
Graphic Designer, ABC Carpet & Home
Charly Tudor
Graphic Designer, Holdens
Lola Irwanto
Graphic Designer, Princess Polly