Hear straight from our graduates.
Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting.
Visual Designer, EPAM
Theo Witrylak
What made you want to apply to Shillington in the first place?
I wanted to become a designer, which was a complete change in occupation, but had no experience and didn’t want to go back to university, so Shillington’s course seemed to work perfectly for me. Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting. The things that surprised me were the guest lectures, which were amazing, and the huge amount of great reference and reading material, both physical and digital, that were available.
You studied part-time at Shillington. Why did you choose this option over full-time?
I studied on the part-time course as I needed to be able to work to fund my decision to learn more about design. As I was working multiple jobs, the course’s structure meant I could realistically take on board all the information I was being taught, practice and improve my design skills at home as well as have time to get further design inspiration. Winner.
What were the main things you learned on the course?
The consistent application of design principles, realising ‘the problem’ and finding its solution as well as the methods of idea generation and concept development. The teachers prepared me really well; their wealth of experience, their insights into technical and creative subjects and their opinion and knowledge of design (past and contemporary) was the best thing about the course for me.
Who do you work for now and what does your job involve? How did you go about getting this job and how much help did you get from Shillington?
I work for Great Fridays as part of EPAM as a Visual Designer.
My job involves working as part of a team in taking client problems and creating the best and most effective solution, focussing on visually communicating that design.
I was contacted by my employer who had come down to the graduation show and had seen my portfolio. The course leaders were amazing at helping, they put me in contact with loads of people who they knew were either looking for designers or they thought I would work well with. Other than that, there was lots of information and advice about getting work once we reached portfolio time and even after the course had finished.
What advice would you offer anyone thinking about applying for a design course at Shillington?
Do it! The course leaders were brilliant. It is an amazing and inspiring environment to learn in and they also have biscuits around break time.
View Theo’s website and read his full interview on the blog.
Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting.
Visual Designer, EPAM
Theo Witrylak
What made you want to apply to Shillington in the first place?
I wanted to become a designer, which was a complete change in occupation, but had no experience and didn’t want to go back to university, so Shillington’s course seemed to work perfectly for me. Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting. The things that surprised me were the guest lectures, which were amazing, and the huge amount of great reference and reading material, both physical and digital, that were available.
You studied part-time at Shillington. Why did you choose this option over full-time?
I studied on the part-time course as I needed to be able to work to fund my decision to learn more about design. As I was working multiple jobs, the course’s structure meant I could realistically take on board all the information I was being taught, practice and improve my design skills at home as well as have time to get further design inspiration. Winner.
What were the main things you learned on the course?
The consistent application of design principles, realising ‘the problem’ and finding its solution as well as the methods of idea generation and concept development. The teachers prepared me really well; their wealth of experience, their insights into technical and creative subjects and their opinion and knowledge of design (past and contemporary) was the best thing about the course for me.
Who do you work for now and what does your job involve? How did you go about getting this job and how much help did you get from Shillington?
I work for Great Fridays as part of EPAM as a Visual Designer.
My job involves working as part of a team in taking client problems and creating the best and most effective solution, focussing on visually communicating that design.
I was contacted by my employer who had come down to the graduation show and had seen my portfolio. The course leaders were amazing at helping, they put me in contact with loads of people who they knew were either looking for designers or they thought I would work well with. Other than that, there was lots of information and advice about getting work once we reached portfolio time and even after the course had finished.
What advice would you offer anyone thinking about applying for a design course at Shillington?
Do it! The course leaders were brilliant. It is an amazing and inspiring environment to learn in and they also have biscuits around break time.
View Theo’s website and read his full interview on the blog.
Elizabeth Diffey
Freelance Graphic Designer at Spotify
Alessandra Conti
Designer at RAPP
Majo Crespo
Co-Founder and Strategic Designer at Facético
Maria Vazquez
Freelance Designer and Art Director
Lorenzo Mengolini
UX Designer, AKQA
Abbey Swinn
Designer, Frost*collective
Angeline Chan
Communications Specialist, The University of Melbourne
Julia Hoolahan
Art Director, Home Beautiful
Seyi Ogunlade
Freelance Graphic Designer and Photographer
Rory Knibbs
Designer, The Midnight Club
Jess Goodall
Digital Designer, Pistachio Design
Stephanie Halovanic
Creative Producer, &Walsh
Megan Voo
UX/UI & Content Designer, Ignite Online
Gerald Torto
Strategist, Re Agency
Romayne Gadelrab
Freelance Graphic Designer
Eman Abdallah
Graphic & Experience Designer, KAIRO
Ariana Villegas
Designer, Simplecast
Ray Wong
Designer, Oink Creative
Johanna Hagenauer
Brand / Product Designer, Rexlabs
Kris Klein
Experience Design + Videography at AKQA
Emily Campos
UX Designer, Wix
Rawin Keo
Lead Graphic Designer, Dermalogica
Mark Osmond
Designer, Thumbs Up!
Vanessa Bertagnole
Graphic Multimedia Designer, Surf Life Saving Queensland
Araki Koman
Freelance Illustrator and Designer
Arwa Al-Salam
Designer, Human Appeal
Benny Hinman
Designer, Frost*collective
Em Stokes
Junior Designer, MOO
Veronica Humphris
Digital Designer, Mapway
Leila Bartholet
Designer, Chandelier
Jared Worthington
Designer at Media Playground
Alexandra Francis
Designer, Flow Creative
Benjamin Ngooi
Graphic Designer, Cox Architecture
Sophie Lord
Creative Director, Hello May
Khadijah Adbul Nabi
Freelance Graphic Designer
Frankie Young
Founder, Studio Neubau
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Amy Forsyth
Graphic Designer, Alfresco Emporium
Jaira Adlawan
Senior Visual Designer, Sephora
Jamie Krups
Creative at Stab Magazine
Keiran McCann
Graphic Designer, Victoria’s Secret
Greg Bemis
Creative, Nike
Anastasiia Vinnichenko
Designer, ToyFight
Lori Beth Kaye
Senior Product Designer, The Iconic
Megan Dweck
Visual Designer, McKinsey & Company
James Freebairn
Junior Graphic Designer, Dark Mofo
Irina Manning
UX Designer, Manning Labs
Shannon Gordon
Designer, R/GA
Sinead Murphy
Freelance Graphic Designer
Lauren Koste
Freelance Designer and Craft Beer Specialist
Ani Monteleone
Designer, The Wall Street Journal
Caitlin Clancy
Designer, The New York Times
Miwako Suzuki
Integrated Creative Director
Linda Gao
Designer, HBO
Rachel Urquhart
Founder, Pony Gold Studio
Will Batrouney
Graphic Designer, Ignite Online
Ellie Pinney
Freelance Designer
Katie Lodge
Business Development Manager, Frost* collective
Joseph Lebus
Designer, Made Thought
Jordan Demetriou
Junior Designer, Principals
Hamish Snow
Product Designer, Rexlabs
Emily Somers
Founder, Bravery Co.
Eleanor Robertson
Designer, Paul Belford Ltd
Estefi Panizza
Junior Designer, Design Bridge
Erin Gale
Designer, Target
Kylie Meller
Founder, duosista Web and Graphic Design
Yarron Frauenfelder
Design Director
Bianca Chu
Senior Designer, eBay
Bianca Oggiano
Designer, FutureBrand
Alexander Rog
Junior Designer, oOh!
Christopher J Porter
Designer, I See Sea
Babeth Olde Hanter
Junior Art Director, SOV
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Tally Thompson
Graphic Designer, Awesome Creative
Dominika Stanczyk
Designer, Open Water
Lindsay Koffler
Graphic Designer, Refinery29
Amee Wilson
Art Director, Clemenger BBDO
Lily Moore
Designer at Sotheby’s
Braden Floris
Designer, GoFundMe
Ashley Ronning
Illustrator and Founder of Helio Press
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Jess White
Junior Graphic Designer, Just Media Design
Bobby Hendry
Designer, Brilliant Logic
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Lauren Dannenberg
Designer, Mary's Group
Arnold Omanyo
UX/UI Designer, Digital on Demand
Dawn Moloney
Founder, A Making Life
Miranda Mayne
Freelance Graphic Designer
Caroline Keefe
Freelance, Nickelodeon
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Meredith Wallis
Designer, King & Partners
Ocki Magill
Founder, Letter Bug Studios
Victoire Scherer
Junior Graphic Designer, Neoscape
Anika George
Designer, AKQA
Liana Modolo
UX Designer, Rex Software
Kelly Hansen
Graphic Designer, Amazon Books
Mikel McCavana
Designer, Moment
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Jing Ong
Designer, Autumn
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Pooja Dharia
Branding Designer, FCB Health
Erin Donati
Founder, Harley Quinn & Co.
Jackson Todd
Art Director, Van Der Zwaag
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Peta Harris
Graphic Designer, Macquarie University
Oceane Combeau
Designer, Fernand et Firmin
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Roo Cassels
Designer, Big Fish
Nicol Reid
Founder, Little Creative
James Birks
Freelance Illustrator and Designer
David Scott
Designer, The Mix
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Sean Raynor
Designer, Watermark Studio
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Margherita Baldi
Freelance Visual Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Sam Jacobs
Senior Designer, Time Inc.
Ulrika Johnson
Designer, Fantasia Accessories
Henriette van Baren
Graphic Designer, ABC Carpet & Home
Charly Tudor
Graphic Designer, Holdens
Lola Irwanto
Graphic Designer, Princess Polly