Hear straight from our graduates.
Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting.
Visual Designer, EPAM
Theo Witrylak
What made you want to apply to Shillington in the first place?
I wanted to become a designer, which was a complete change in occupation, but had no experience and didn’t want to go back to university, so Shillington’s course seemed to work perfectly for me. Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting. The things that surprised me were the guest lectures, which were amazing, and the huge amount of great reference and reading material, both physical and digital, that were available.
You studied part-time at Shillington. Why did you choose this option over full-time?
I studied on the part-time course as I needed to be able to work to fund my decision to learn more about design. As I was working multiple jobs, the course’s structure meant I could realistically take on board all the information I was being taught, practice and improve my design skills at home as well as have time to get further design inspiration. Winner.
What were the main things you learned on the course?
The consistent application of design principles, realising ‘the problem’ and finding its solution as well as the methods of idea generation and concept development. The teachers prepared me really well; their wealth of experience, their insights into technical and creative subjects and their opinion and knowledge of design (past and contemporary) was the best thing about the course for me.
Who do you work for now and what does your job involve? How did you go about getting this job and how much help did you get from Shillington?
I work for Great Fridays as part of EPAM as a Visual Designer.
My job involves working as part of a team in taking client problems and creating the best and most effective solution, focussing on visually communicating that design.
I was contacted by my employer who had come down to the graduation show and had seen my portfolio. The course leaders were amazing at helping, they put me in contact with loads of people who they knew were either looking for designers or they thought I would work well with. Other than that, there was lots of information and advice about getting work once we reached portfolio time and even after the course had finished.
What advice would you offer anyone thinking about applying for a design course at Shillington?
Do it! The course leaders were brilliant. It is an amazing and inspiring environment to learn in and they also have biscuits around break time.
View Theo’s website and read his full interview on the blog.
Lori Beth Kaye
Senior Product Designer, The Iconic
Ray Wong
Designer, Oink Creative
Keiran McCann
Graphic Designer, Victoria’s Secret
Emily Campos
UX Designer, Wix
Jaira Adlawan
Senior Visual Designer, Sephora
Ani Monteleone
Designer, The Wall Street Journal
Hamish Snow
Designer, Josephmark
Eleanor Robertson
Designer, Paul Belford Ltd
Gerald Torto
Strategist, Re Agency
Linda Gao
Designer, HBO
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Sinead Murphy
Freelance Graphic Designer
Bianca Oggiano
Designer, Design Haus Liberty
Christopher J Porter
Designer, I See Sea
Dominika Stanczyk
Designer, Open Water
Katie Lodge
Business Development Manager, Frost* collective
Amee Wilson
Art Director, Clemenger BBDO
Jordan Demetriou
Junior Designer, Principals
Ashley Ronning
Illustrator and Founder of Helio Press
Emily Somers
Founder, Bravery Co.
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Erin Gale
Designer, Target
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Braden Floris
Designer, GoFundMe
Alexis Waller
Art Director, Apple Inc.
Halah El Kholy
In-House Designer, Brew Tea Co
Alexander Rog
Junior Designer, oOh!
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Bianca Chu
Senior Designer, eBay
Tally Thompson
Graphic Designer, Awesome Creative
Greg Bemis
Creative, Nike
Arnold Omanyo
UX/UI Designer, Digital on Demand
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Meredith Wallis
Designer, King & Partners
Miranda Mayne
Freelance Graphic Designer
Lindsay Koffler
Graphic Designer, Refinery29
Bobby Hendry
Designer, Brilliant Logic
Anika George
Designer, AKQA
Mark Osmond
Designer, Thumbs Up!
Lily Moore
Designer at Sotheby’s
Liana Modolo
UX Designer, Rex Software
Victoire Scherer
Junior Graphic Designer, Neoscape
Mikel McCavana
Designer, Moment
Kelly Hansen
Graphic Designer, Amazon Books
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Frankie Young
Founder, Studio Neubau
Pooja Dharia
Branding Designer, FCB Health
Jackson Todd
Art Director, Van Der Zwaag
Dawn Moloney
Founder, A Making Life
Caroline Keefe
Freelance, Nickelodeon
Sophie Lord
Creative Director, Hello May
Ocki Magill
Founder, Letter Bug Studios
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Jing Ong
Designer, Autumn
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Erin Donati
Founder, Harley Quinn & Co.
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Oceane Combeau
Designer, Fernand et Firmin
Charly Tudor
Graphic Designer, Holdens
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting.
Visual Designer, EPAM
Theo Witrylak
What made you want to apply to Shillington in the first place?
I wanted to become a designer, which was a complete change in occupation, but had no experience and didn’t want to go back to university, so Shillington’s course seemed to work perfectly for me. Once I attended an Info Session and saw the consistent high quality of past portfolios, I was sold. It was what I expected; comprehensive and always interesting. The things that surprised me were the guest lectures, which were amazing, and the huge amount of great reference and reading material, both physical and digital, that were available.
You studied part-time at Shillington. Why did you choose this option over full-time?
I studied on the part-time course as I needed to be able to work to fund my decision to learn more about design. As I was working multiple jobs, the course’s structure meant I could realistically take on board all the information I was being taught, practice and improve my design skills at home as well as have time to get further design inspiration. Winner.
What were the main things you learned on the course?
The consistent application of design principles, realising ‘the problem’ and finding its solution as well as the methods of idea generation and concept development. The teachers prepared me really well; their wealth of experience, their insights into technical and creative subjects and their opinion and knowledge of design (past and contemporary) was the best thing about the course for me.
Who do you work for now and what does your job involve? How did you go about getting this job and how much help did you get from Shillington?
I work for Great Fridays as part of EPAM as a Visual Designer.
My job involves working as part of a team in taking client problems and creating the best and most effective solution, focussing on visually communicating that design.
I was contacted by my employer who had come down to the graduation show and had seen my portfolio. The course leaders were amazing at helping, they put me in contact with loads of people who they knew were either looking for designers or they thought I would work well with. Other than that, there was lots of information and advice about getting work once we reached portfolio time and even after the course had finished.
What advice would you offer anyone thinking about applying for a design course at Shillington?
Do it! The course leaders were brilliant. It is an amazing and inspiring environment to learn in and they also have biscuits around break time.
View Theo’s website and read his full interview on the blog.
Pete Conforto
Designer, For The People
Nicol Reid
Founder, Little Creative
David Scott
Designer, The Mix
James Birks
Freelance Illustrator and Designer
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Romayne Gadelrab
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Roo Cassels
Designer, Big Fish
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Ulrika Johnson
Designer, Fantasia Accessories
Sam Jacobs
Senior Designer, Time Inc.
Sean Raynor
Designer, Watermark Studio
Irina Manning
UX Designer, Manning Labs
Margherita Baldi
Freelance Visual Designer
Henriette van Baren
Graphic Designer, ABC Carpet & Home