Hear straight from our graduates.
Fast paced, smaller class sizes, variety of briefs. To have that educational model while also demonstrating some high caliber student work was—and continues to be—inspiring.
Designer, GoFundMe
Braden Floris
Why did you decide to study at Shillington?
As I was working as a designer for the hockey team, I became incredibly interested in graphic design for a career. I picked up a copy of Computer Arts when I was travelling and came across an advertisement for Shillington. After doing a bit of research, it seemed that Shillington’s strengths mapped closely to what I liked about the role I was in. Fast paced, smaller class sizes, variety of briefs. To have that educational model while also demonstrating some high caliber student work was—and continues to be—inspiring.
How did you land a job at GoFundMe? Tell us about the interview and hiring process.
I love what GoFundMe is doing to allow people to get the financial help they need, faster. There are a lot of success stories on the platform, absolutely, but my motivation was more inspired towards the unsuccessful ones. I wanted to be part of the conversation that started with “How can design help more people access the help they need?”. So for one weekend I naively redesigned GoFundMe and sent it to the CEO, just guessing his email address. I framed it as, “Hey, I want to work at GoFundMe, but I know I’m not ready, what advice can you give me about my work so I can improve?”. The next week I was interviewing with the team over the phone. I eventually flew down to San Diego (their only office location at that time) for an interview in-person and met the product team. One month later my wife and I moved to San Diego.
What would you say to someone who is sceptical about Shillington’s fast-paced course?
I would attribute the daunting pace to Shillington resembling the same perception people have riding a bike in the city. On the sidewalk, it’s easy to question the dangers and what-ifs, to look at the experience as being filled with hazards. But once you’re on the road, moving with traffic you realize that not only can you ride your bike, but everyone is more or less trying to help you out and let you find your own way. Lecturers are going to try their very best to make sure you keep up and the briefs are approachable and gradually increase in difficulty.
Visit Braden’s website and read his full interview on the blog.
Caitlin Clancy
Designer, The New York Times
Miwako Suzuki
Integrated Creative Director
Rachel Urquhart
Founder, Pony Gold Studio
Lauren Koste
Freelance Designer and Craft Beer Specialist
Eman Abdallah
Designer, Humachina
Lori Beth Kaye
Senior Product Designer, The Iconic
Anastasiia Vinnichenko
Designer, Tile Creative
Ray Wong
Designer, Oink Creative
Araki Koman
Freelance Illustrator and Designer
Keiran McCann
Graphic Designer, Victoria’s Secret
Emily Campos
UX Designer, Wix
Jaira Adlawan
Senior Visual Designer, Sephora
Ani Monteleone
Designer, The Wall Street Journal
Hamish Snow
Designer, Josephmark
Eleanor Robertson
Designer, Paul Belford Ltd
Gerald Torto
Strategist, Re Agency
Linda Gao
Designer, HBO
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Will Batrouney
Graphic Designer, Ignite Online
Sinead Murphy
Freelance Graphic Designer
Bianca Oggiano
Designer, Design Haus Liberty
Christopher J Porter
Designer, I See Sea
Dominika Stanczyk
Designer, Open Water
Katie Lodge
Business Development Manager, Frost* collective
Vanessa Bertagnole
Graphic Multimedia Designer, Surf Life Saving Queensland
Amee Wilson
Art Director, Clemenger BBDO
Jordan Demetriou
Junior Designer, Principals
Ashley Ronning
Illustrator and Founder of Helio Press
Emily Somers
Founder, Bravery Co.
Yarron Frauenfelder
Design Director
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Erin Gale
Designer, Target
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Braden Floris
Designer, GoFundMe
Fast paced, smaller class sizes, variety of briefs. To have that educational model while also demonstrating some high caliber student work was—and continues to be—inspiring.
Designer, GoFundMe
Braden Floris
Why did you decide to study at Shillington?
As I was working as a designer for the hockey team, I became incredibly interested in graphic design for a career. I picked up a copy of Computer Arts when I was travelling and came across an advertisement for Shillington. After doing a bit of research, it seemed that Shillington’s strengths mapped closely to what I liked about the role I was in. Fast paced, smaller class sizes, variety of briefs. To have that educational model while also demonstrating some high caliber student work was—and continues to be—inspiring.
How did you land a job at GoFundMe? Tell us about the interview and hiring process.
I love what GoFundMe is doing to allow people to get the financial help they need, faster. There are a lot of success stories on the platform, absolutely, but my motivation was more inspired towards the unsuccessful ones. I wanted to be part of the conversation that started with “How can design help more people access the help they need?”. So for one weekend I naively redesigned GoFundMe and sent it to the CEO, just guessing his email address. I framed it as, “Hey, I want to work at GoFundMe, but I know I’m not ready, what advice can you give me about my work so I can improve?”. The next week I was interviewing with the team over the phone. I eventually flew down to San Diego (their only office location at that time) for an interview in-person and met the product team. One month later my wife and I moved to San Diego.
What would you say to someone who is sceptical about Shillington’s fast-paced course?
I would attribute the daunting pace to Shillington resembling the same perception people have riding a bike in the city. On the sidewalk, it’s easy to question the dangers and what-ifs, to look at the experience as being filled with hazards. But once you’re on the road, moving with traffic you realize that not only can you ride your bike, but everyone is more or less trying to help you out and let you find your own way. Lecturers are going to try their very best to make sure you keep up and the briefs are approachable and gradually increase in difficulty.
Visit Braden’s website and read his full interview on the blog.
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Alexander Rog
Junior Designer, oOh!
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Bianca Chu
Senior Designer, eBay
Tally Thompson
Graphic Designer, Awesome Creative
Greg Bemis
Creative, Nike
Arnold Omanyo
UX/UI Designer, Digital on Demand
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Meredith Wallis
Designer, King & Partners
Miranda Mayne
Freelance Graphic Designer
Lindsay Koffler
Graphic Designer, Refinery29
Bobby Hendry
Designer, Brilliant Logic
Anika George
Designer, AKQA
Mark Osmond
Designer, Thumbs Up!
Lily Moore
Designer at Sotheby’s
Liana Modolo
UX Designer, Rex Software
Victoire Scherer
Junior Graphic Designer, Neoscape
Mikel McCavana
Designer, Moment
Kelly Hansen
Graphic Designer, Amazon Books
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Frankie Young
Founder, Studio Neubau
Pooja Dharia
Branding Designer, FCB Health
Jackson Todd
Art Director, Van Der Zwaag
Dawn Moloney
Founder, A Making Life
Caroline Keefe
Freelance, Nickelodeon
Sophie Lord
Creative Director, Hello May
Ocki Magill
Founder, Letter Bug Studios
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Jing Ong
Designer, Autumn
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Erin Donati
Founder, Harley Quinn & Co.
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Oceane Combeau
Designer, Fernand et Firmin
Charly Tudor
Graphic Designer, Holdens
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Nicol Reid
Founder, Little Creative
David Scott
Designer, The Mix
James Birks
Freelance Illustrator and Designer
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Romayne Gadelrab
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Roo Cassels
Designer, Big Fish
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Ulrika Johnson
Designer, Fantasia Accessories
Sam Jacobs
Senior Designer, Time Inc.
Sean Raynor
Designer, Watermark Studio
Irina Manning
UX Designer, Manning Labs
Margherita Baldi
Freelance Visual Designer
Henriette van Baren
Graphic Designer, ABC Carpet & Home