Hear straight from our graduates.
I knew it was a big jump to quit my career and relocate, so my rationale was that if I found I didn’t enjoy it, a 3 month career-break wasn’t too long to explain on my CV. However, two weeks into the course, I was utterly in love.
Art Director, Clemenger BBDO
Amee Wilson
Why did you decide to study design? And why Shillington?
I used to love drawing when I was a kid; I was always in trouble for doodling all over my school work. But when it came to picking a career, a creative option never really crossed my mind—it had always just been a hobby. I fell into marketing, and a few years down the line starting working closely with creative agencies. Suddenly I saw an option that combined creative thinking with logical and visual solutions. I’d been writing briefs for the agencies and automatically dreaming up concepts, so I decided to find out how to change industries. I knew I needed the technical skills, but I realised I also needed a portfolio.
I did a lot of research before settling on Shillington. It won out as it was a financially viable option that meant I wouldn’t be out of full-time work too long. I knew it was a big jump to quit my career and relocate, so my rationale was that if I found I didn’t enjoy it, a 3 month career-break wasn’t too long to explain on my CV. However, two weeks into the course, I was utterly in love.
You’re currently an Art Director at Clemenger BBDO. Can you tell us about your career journey and timeline since graduating?
It’s been a bit of a crazy whirlwind if I’m honest. My ambition after Shillington had always been to become an Art Director, and while I was studying my teachers helped make sure my folio was advertising orientated. They also told me about AWARD school – an annual course purely about coming up with good ideas, and prerequisite in Australia for making the jump from designer to Creative.
I was lucky enough to get a role as a Finished Artist/Designer at an advertising agency (Clemenger BBDO) a few weeks after the course, via the Shillumni network. I spent 9 months learning finished art processes, whilst getting comfortable moving from a client-side job to the new world of advertising. The AWARD school applications opened up, and after two weeks of sleepless nights, I was able to secure a place. In the same way that Shillo equips you with a design folio, AWARD gives you an advertising folio and a new network of contacts.
Just under a year after graduating from Shillington, and at the end of the AWARD school process, I was offered a role as an Art Director at Ogilvy off the back of my new folio. I spent a few months working on some national clients and couldn’t quite believe I was being paid to have so much fun! I’ve since moved back to the agency where it all started after a position opened up in my old team, and I couldn’t be happier. Even though Art Director requires less graphic design work, I still use my Shillington skills on a daily basis.
Any advice for a potential Shillington student?
Never settle for the obvious option, always push yourself to come up with as many ideas as you can. If you’ve finished ahead of time, keep coming up with more! Don’t be afraid that some of them might be bad or stupid. The more you push yourself to find lots of different routes, the more likely you are to come up with something unexpected, or one which isn’t quite right might spark the next idea. Shillington is the best place to really push the boundaries, there are no clients or budgets – so think big!
Visit Amee’s website and read her full interview on the blog.
I knew it was a big jump to quit my career and relocate, so my rationale was that if I found I didn’t enjoy it, a 3 month career-break wasn’t too long to explain on my CV. However, two weeks into the course, I was utterly in love.
Art Director, Clemenger BBDO
Amee Wilson
Why did you decide to study design? And why Shillington?
I used to love drawing when I was a kid; I was always in trouble for doodling all over my school work. But when it came to picking a career, a creative option never really crossed my mind—it had always just been a hobby. I fell into marketing, and a few years down the line starting working closely with creative agencies. Suddenly I saw an option that combined creative thinking with logical and visual solutions. I’d been writing briefs for the agencies and automatically dreaming up concepts, so I decided to find out how to change industries. I knew I needed the technical skills, but I realised I also needed a portfolio.
I did a lot of research before settling on Shillington. It won out as it was a financially viable option that meant I wouldn’t be out of full-time work too long. I knew it was a big jump to quit my career and relocate, so my rationale was that if I found I didn’t enjoy it, a 3 month career-break wasn’t too long to explain on my CV. However, two weeks into the course, I was utterly in love.
You’re currently an Art Director at Clemenger BBDO. Can you tell us about your career journey and timeline since graduating?
It’s been a bit of a crazy whirlwind if I’m honest. My ambition after Shillington had always been to become an Art Director, and while I was studying my teachers helped make sure my folio was advertising orientated. They also told me about AWARD school – an annual course purely about coming up with good ideas, and prerequisite in Australia for making the jump from designer to Creative.
I was lucky enough to get a role as a Finished Artist/Designer at an advertising agency (Clemenger BBDO) a few weeks after the course, via the Shillumni network. I spent 9 months learning finished art processes, whilst getting comfortable moving from a client-side job to the new world of advertising. The AWARD school applications opened up, and after two weeks of sleepless nights, I was able to secure a place. In the same way that Shillo equips you with a design folio, AWARD gives you an advertising folio and a new network of contacts.
Just under a year after graduating from Shillington, and at the end of the AWARD school process, I was offered a role as an Art Director at Ogilvy off the back of my new folio. I spent a few months working on some national clients and couldn’t quite believe I was being paid to have so much fun! I’ve since moved back to the agency where it all started after a position opened up in my old team, and I couldn’t be happier. Even though Art Director requires less graphic design work, I still use my Shillington skills on a daily basis.
Any advice for a potential Shillington student?
Never settle for the obvious option, always push yourself to come up with as many ideas as you can. If you’ve finished ahead of time, keep coming up with more! Don’t be afraid that some of them might be bad or stupid. The more you push yourself to find lots of different routes, the more likely you are to come up with something unexpected, or one which isn’t quite right might spark the next idea. Shillington is the best place to really push the boundaries, there are no clients or budgets – so think big!
Visit Amee’s website and read her full interview on the blog.
Elizabeth Diffey
Freelance Graphic Designer at Spotify
Alessandra Conti
Designer at RAPP
Majo Crespo
Co-Founder and Strategic Designer at Facético
Maria Vazquez
Freelance Designer and Art Director
Lorenzo Mengolini
UX Designer, AKQA
Abbey Swinn
Designer, Frost*collective
Angeline Chan
Communications Specialist, The University of Melbourne
Julia Hoolahan
Art Director, Home Beautiful
Seyi Ogunlade
Freelance Graphic Designer and Photographer
Rory Knibbs
Designer, The Midnight Club
Jess Goodall
Digital Designer, Pistachio Design
Stephanie Halovanic
Creative Producer, &Walsh
Megan Voo
UX/UI & Content Designer, Ignite Online
Gerald Torto
Strategist, Re Agency
Romayne Gadelrab
Freelance Graphic Designer
Eman Abdallah
Graphic & Experience Designer, KAIRO
Ariana Villegas
Designer, Simplecast
Ray Wong
Designer, Oink Creative
Johanna Hagenauer
Brand / Product Designer, Rexlabs
Kris Klein
Experience Design + Videography at AKQA
Emily Campos
UX Designer, Wix
Rawin Keo
Lead Graphic Designer, Dermalogica
Mark Osmond
Designer, Thumbs Up!
Vanessa Bertagnole
Graphic Multimedia Designer, Surf Life Saving Queensland
Araki Koman
Freelance Illustrator and Designer
Arwa Al-Salam
Designer, Human Appeal
Benny Hinman
Designer, Frost*collective
Em Stokes
Junior Designer, MOO
Veronica Humphris
Digital Designer, Mapway
Leila Bartholet
Designer, Chandelier
Jared Worthington
Designer at Media Playground
Alexandra Francis
Designer, Flow Creative
Benjamin Ngooi
Graphic Designer, Cox Architecture
Sophie Lord
Creative Director, Hello May
Khadijah Adbul Nabi
Freelance Graphic Designer
Frankie Young
Founder, Studio Neubau
Ella Donald & Charlotte Carnegie Brown
Co-Founders, Studio Duzi
Amy Forsyth
Graphic Designer, Alfresco Emporium
Jaira Adlawan
Senior Visual Designer, Sephora
Jamie Krups
Creative at Stab Magazine
Keiran McCann
Graphic Designer, Victoria’s Secret
Greg Bemis
Creative, Nike
Anastasiia Vinnichenko
Designer, ToyFight
Lori Beth Kaye
Senior Product Designer, The Iconic
Megan Dweck
Visual Designer, McKinsey & Company
James Freebairn
Junior Graphic Designer, Dark Mofo
Irina Manning
UX Designer, Manning Labs
Shannon Gordon
Designer, R/GA
Sinead Murphy
Freelance Graphic Designer
Lauren Koste
Freelance Designer and Craft Beer Specialist
Ani Monteleone
Designer, The Wall Street Journal
Caitlin Clancy
Designer, The New York Times
Miwako Suzuki
Integrated Creative Director
Linda Gao
Designer, HBO
Rachel Urquhart
Founder, Pony Gold Studio
Will Batrouney
Graphic Designer, Ignite Online
Ellie Pinney
Freelance Designer
Katie Lodge
Business Development Manager, Frost* collective
Joseph Lebus
Designer, Made Thought
Jordan Demetriou
Junior Designer, Principals
Hamish Snow
Product Designer, Rexlabs
Emily Somers
Founder, Bravery Co.
Eleanor Robertson
Designer, Paul Belford Ltd
Estefi Panizza
Junior Designer, Design Bridge
Erin Gale
Designer, Target
Kylie Meller
Founder, duosista Web and Graphic Design
Yarron Frauenfelder
Design Director
Bianca Chu
Senior Designer, eBay
Bianca Oggiano
Designer, FutureBrand
Alexander Rog
Junior Designer, oOh!
Christopher J Porter
Designer, I See Sea
Babeth Olde Hanter
Junior Art Director, SOV
Chrystal Christie
Photographer/Graphic Designer, One Round Entertainment
Tally Thompson
Graphic Designer, Awesome Creative
Dominika Stanczyk
Designer, Open Water
Lindsay Koffler
Graphic Designer, Refinery29
Amee Wilson
Art Director, Clemenger BBDO
Lily Moore
Designer at Sotheby’s
Braden Floris
Designer, GoFundMe
Ashley Ronning
Illustrator and Founder of Helio Press
Tahmena Lutfi
Digital Designer, Qantas and Jetstar Hotels
Anara Davletaliyeva
UX Designer and Developer, Appliances Online
Tiffany Yee
Designer, Forever 21
Amy Sheehan
Art Director, Insider Inc.
Emma Ladlow
Designer, University of Nottingham Students' Union
Alexis Waller
Design Director, R/GA
Halah El Kholy
In-House Designer, Brew Tea Co
Jess White
Junior Graphic Designer, Just Media Design
Bobby Hendry
Designer, Brilliant Logic
Jessica Bakker
Junior Graphic Designer, Beyond Communications
Lauren Dannenberg
Designer, Mary's Group
Arnold Omanyo
UX/UI Designer, Digital on Demand
Dawn Moloney
Founder, A Making Life
Miranda Mayne
Freelance Graphic Designer
Caroline Keefe
Freelance, Nickelodeon
Paul and Amoni Liddell
Graphic Designers, Westpac CX and Feel
Meredith Wallis
Designer, King & Partners
Ocki Magill
Founder, Letter Bug Studios
Victoire Scherer
Junior Graphic Designer, Neoscape
Anika George
Designer, AKQA
Liana Modolo
UX Designer, Rex Software
Kelly Hansen
Graphic Designer, Amazon Books
Mikel McCavana
Designer, Moment
Alexander Wu-Kim
Concept Creative, ANDPEOPLE Australia
Jing Ong
Designer, Autumn
Kirsten McColl
Designer, WH-O
Nicole Rogers
Designer, Birchbox
Pooja Dharia
Branding Designer, FCB Health
Erin Donati
Founder, Harley Quinn & Co.
Jackson Todd
Art Director, Van Der Zwaag
Andy Vargas
Designer, Bitâcora
Moshe Bien
Designer, Nucleus
Crystal Lin
Designer, DNA Design
Stephen Grace
Designer, Christopher Doyle & Co.
Eleanor Rogers
Letterpress Printer, Chapel Press
Andy Tharagonnet
Designer, ThumbsUp
Ben Peters
Freelance Graphic Designer
Brad Holten
Designer, Big Idea
Natalia Baker
Freelance Graphic Designer
Molly Sitter
Studio Designer, Spring St. Social Society
Guy Pittard
Freelance Graphic Designer
Bea Sambalido
Freelance Graphic Designer
Peta Harris
Graphic Designer, Macquarie University
Oceane Combeau
Designer, Fernand et Firmin
Anna Mullin
Illustrator, Sneaky Racoon
Theo Witrylak
Visual Designer, EPAM
Stephanie Antill
Founder, St Clement Creative
Paul McKie and Myles Sharpe
Directors, Autumn
Pete Conforto
Designer, For The People
Roo Cassels
Designer, Big Fish
Nicol Reid
Founder, Little Creative
James Birks
Freelance Illustrator and Designer
David Scott
Designer, The Mix
Jane Durlacher
Graphic Designer, Paper Stone Scissors
Rachel Lee
Freelance Graphic Designer
Janno Saft
Founder, frank wo
Sean Raynor
Designer, Watermark Studio
Vanessa Burgess
Graphic Designer, Tritium
Olivier Adam
Freelance Graphic Designer
Cari Sekendur
Art Director, LMNOP Creative
Alexandra Menzies
Freelance Graphic Designer
Margherita Baldi
Freelance Visual Designer
Tim Jones
Brand Experience Director, venturethree
Carla Scotto
Freelance Graphic Designer
Meg Walker
Designer, Milkshake
Christina Capetola
Designer at Wayfair
Louise Hamer
Design Lead, We Are Empire
Ina Estrada
Founder, Par Vous Designs
Sam Jacobs
Senior Designer, Time Inc.
Ulrika Johnson
Designer, Fantasia Accessories
Henriette van Baren
Graphic Designer, ABC Carpet & Home
Charly Tudor
Graphic Designer, Holdens
Lola Irwanto
Graphic Designer, Princess Polly